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Death of the language and a metaphor

Humra Quraishi expresses her anguish at the mindless violence and hatred spreading across India, which is also attacking the c...

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A dog, a boy and a film: Musings on Kala

Janaky Sreedharan reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its d...

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The narrative doesn’t hit home: Tangra Blues

Acclaimed documentary filmmaker Supriyo Sen’s debut feature never quite hits the narrative highs, existing in the zone between good visua...

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Taller with the UNDP Award: Sonu Sood

Sood joins the likes of Angelina Jolie, David Beckham, Leonardo DiCaprio, Emma Watson and Liam Neeson who have received UN recognition; Priyank...

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A Muslim in Bollywood

The mainstream Hindi film industry’s template for the community reflects ideological and political shifts in contemporary India.

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Whose Life Is It, Anyway?

Deepa Gahlot writes in her review of Jodi Picoult’s, A Spark of Life, “Women’s reproductive rights have always been under thr...

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‘Evening Shadows’ makes a plea for women to stand up and be heard

While the Hindi feature film Evening Shadows, which is wowing audiences across the world is a film about a gay son coming out to ...

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Celebrating Freedom through Short Films

Films are a powerful tool for change. They break all kinds of geographical, linguistic and social barriers. The...

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Women and Girls with Disabilities more likely to experience Violence

A study published in the Lancet says that both children and adults with disabilities are at much higher risk (u...

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Mumbai-based designer wins KASHISH 2018 International Poster Contest

The KASHISH Mumbai International Queer Film Festival has chosen the look for the Read More